Towards New Geographies

Emerging out of a multidisciplinary history, including an ongoing relationship with the West Australian Academy of Performing Arts (WAAPA), the School of Arts and Humanities at Edith Cowan University has shaped and honed a contemporary focus through actively defining the usefulness of art for today’s society whether that be through praxis or pedagogy or a hybrid of the two. The ethos of the school is to explore and experiment and to push back from pre-determined understandings – to collaborate, innovate and find solutions through a merging of making and theory often employing whatever is to hand.

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In Conversation with Next Wave CEO and University of Wollongong Alumni Georgie Meagher

Georgie Meagher graduated with undergraduate and masters degrees in Creative Arts (Performance) from the University of Wollongong in 2008. She is now CEO of Next Wave Australia’s most comprehensive platform for emerging artists whichincludes learning programs and a biennial festival.  NiTRO editor, Jenny Wilson, spoke with her about the influence of her university years, her role as an alumni and her advice for graduating students.

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Shaping the next generation of artists

After six decades of music education, Queensland Conservatorium Griffith University graduates are making their mark in the performing arts industry, both in Australia and abroad. its alumni include players in leading positions in every Australian state orchestra, and a host of Grammy and ARIA award winners and many internationally recognised musicians including Dami Im, Jayson Gillham, Katie Noonan, Piers Lane, Megan Washington, Kate Miller-Heidke, Lisa Gasteen and Brett Dean have all passed through the Queensland Conservatorium.

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Artist Led – the role of artist-run activity for visual arts graduates

Independent artists are faced with a challenging and transforming landscape that requires adaptive resilience in order to thrive creatively, today and in the future. How do we, as tertiary educators, empower and enable artists to build strong and flexible, professional contemporary art practices? To address this issue, my current research draws models of praxis from artist-run initiatives (ARI) in the Visual Arts industry, specifically from my experience as director of Boxcopy Contemporary Art Space.

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